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He has also scored stage productions, namely Monkey: Journey to the West (2008), Dr Dee (2012) and (2016).

His debut solo studio album Everyday Robots was released in 2014.

The debate over which band would top the British singles chart became a media phenomenon, and Albarn appeared on News at Ten.

The Great Escape was released in September 1995 to positive reviews, and entered the UK charts at number one.

Parklife was released in 1994 and revived Blur's commercial fortunes, with the album's first single, the disco-influenced "Girls & Boys", achieving critical acclaim and chart success.

Parklife entered the British charts at number one and stayed in the album charts for 90 weeks.

Subsequent albums such as Blur (1997), 13 (1999), and Think Tank (2003) incorporated influences from lo-fi, electronic and hip hop music.

I went against the grain in a weird way – by continually following them." When Albarn was nine years old, his family took a holiday trip to Turkey for three months before settling in Aldham, Essex, an area described by Albarn as "one of those burgeoning Thatcher experiments where they were building loads of small estates".

However, opinion quickly changed and Blur found themselves largely out of favour with the media.

Following the worldwide success of Oasis' (What's the Story) Morning Glory?

In 1968, at the age of six months, Albarn was a "testing expert" for designs for educational aids and toys for children including fibreglass furniture and play-structures fancifully called "The Kissmequiosk".

"The Apollo Cumfycraft" and "The Tailendcharlie" produced by his father's company "Keith Albarn & Partners Ltd" under the trade-name of "Playlearn, Ltd." Damon and Jessica were also raised in the Quaker religion.

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On leaving drama school he entered a production and management contract with Marijke Bergkamp and Graeme Holdaway, owners of the Beat Factory recording studio, where the members of Blur, then known as Seymour, did their first recordings.

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